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Maclise, Daniel Merry Christmas in the Baron's Hall oil painting


Merry Christmas in the Baron's Hall
Painting ID::  19233
Maclise, Daniel
Merry Christmas in the Baron's Hall
1838 Oil on canvas, National Gallery of Ireland.

   
   
     

Maclise, Daniel The Marriage of Strongbow and Aoife oil painting


The Marriage of Strongbow and Aoife
Painting ID::  19237
Maclise, Daniel
The Marriage of Strongbow and Aoife
Oil on canvas National Gallery of Ireland, Dublin.

   
   
     

Maclise, Daniel Charles Dickens oil painting


Charles Dickens
Painting ID::  19235
Maclise, Daniel
Charles Dickens
1839 Oil on canvas National Portrait Gallery, London.

   
   
     

Maclise, Daniel King Cophetua and the Beggarmaid oil painting


King Cophetua and the Beggarmaid
Painting ID::  19236
Maclise, Daniel
King Cophetua and the Beggarmaid
Oil on canvas Private collection.

   
   
     

Maclise, Daniel Snap-Apple Night oil painting


Snap-Apple Night
Painting ID::  19238
Maclise, Daniel
Snap-Apple Night
Oil on canvas Private collection.

   
   
     

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     Maclise, Daniel
     Irish Painter, 1806-1870 Irish painter, active in England. He grew up in Cork where his father had set up as a shoemaker after discharge from the British army. In 1822 Maclise went to the Cork Institute where he began to draw from the newly arrived collection of casts made after the antique sculpture in the Vatican, laying the foundation of the strong draughtsmanship that characterizes his mature work. Richard Sainthill, antiquary and connoisseur, encouraged Maclise and introduced him to local literary and artistic circles, which were influenced by the Romantic movement and interested in Irish antiquities and oral traditions. Maclise was a central figure in this early phase of the Irish revival, and maintained an interest in Irish subject-matter throughout his career; in 1833 he painted Snap Apple (Mrs Cantor priv. col.), and in 1841 contributed illustrations to Samuel Carter Hall's Ireland: Its Scenery and Character. When Sir Walter Scott visited Cork in 1825, Maclise made a sketch of him that was lithographed, and that inaugurated his public career.

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